Flying Geese and Feathers

I’m still working with that rainbow assortment of fabrics! This time I wanted to try the rainbow progression of flying geese with an off white background. I just love the clean look that resulted.

The quilt top was incredibly quick and easy to assemble, with just one column of 21 flying geese, and several large strips of varying off-whites. Once completed I realized the large expanses of off-white would be difficult to quilt, with no blocks for reference. So I took it to Sew Etc. in Burlington, where I could rent a longarm machine, and also get a great deal of help, in long arm quilting it myself. (Thanks Jane!)

Don’t you just love the feather design? It goes beautifully with the geese, and adds a gorgeous texture to the final product. I used a higher loft batting, along with this fairly dense quilting design, to enhance the texture since the quilt itself is so plain.

The binding is scrappy – a mix of the off whites from the top.

I think for my next quilting project, I’ll put aside the rainbow fabrics and work on something a little different. I have two ideas in mind: a kantha baby blanket made from cotton double gauze, and a low contrast quilt using half-square triangles where half of each triangle is an off white, and the other half a low-contrast coordinating gentle print.


My inspiration for this quilt design was a photograph of Shibuya Crossing (the world’s busiest intersection) in the rain. Initially, I planned to put the crosswalk strips on an angle, but when I laid out the actual strips, it just didn’t look good, so ended up setting them straight.

You may recognize the colourful fabric strips from some of my other quilt designs. Isn’t it a fabulous, bright mix? This fabric selection just keeps on giving; I still have a big stack to use in another project.

I used 9 by 2 inch strips of my rainbow selection, interspersed with off-white. I think a scrappy mix of off-whites would also look great in this design, and definitely a black or grey background would look great.

I quilted it first with the large divided circles which are meant to represent umbrellas, then filled in between the umbrellas with small circles to represent rain. Overall, I like the resulting texture.

I have a great idea for another Crosswalk quilt. The strips and background would look like the album cover for Abbey Road, then outlines of John, Paul, George and Ringo could be quilted on. Wouldn’t that be fun? Maybe next time.

Design Challenge: The Four Elements

The last challenge was so much fun, we decided to start another one.

This is another quilting challenge, but with much more creative license. The challenge is to create a quilt that portrays the four elements (earth, water, air, fire).

After some brainstorming, I remembered my extensive collection of Asian fabric panels. This could be a great opportunity to use several of them, with some framing, and maybe a piano key border. The quilting on each panel could be reflective of the element represented.

Can’t wait to get started!

Guest Blog: Night Garden

When threw down the Colourburst Challenge last fall, I had no idea how far it would push me. Black background? Bright colours? Rainbow thread? Never going to happen in my quilts! I didn’t know all the quilting rules in my head until I broke so many of them in my “Night Garden” project.

Knowing the background fabric that my daughter had chosen, I felt I needed something different. Northcott Stonehenge, a perennial favourite fabric line, provided an answer. Choosing nine different fabrics for four bright colour blocks led to ongoing stash searches, one visit to Oakville Sewing Centre and multiple trips to The Hobby Horse in Glen Williams. Who would have thought I could put strawberries, daffodils and butterflies into the same quilt? But the need for so many fabrics led me to risks I wouldn’t normally take.

And for the first time, I made a quilt back that rivaled my quilt top–I couldn’t bear to waste all that beautiful fabric left from the log cabin blocks.

That said, I like my daughter’s finished quilt top slightly more than my own. I find the colour scheme more appealing. I like the charcoal grey background, and the variegated grey thread is very pleasing to the eye. Still, I’m rather proud of my own “breakthrough” quilt. Thanks,, for pushing me to colour outside the lines. My quilting will never be the same!

Quilt Challenge Results: Singin’ in the Rain

As you may recall, in a recent quilt challenge with my mother, we both agreed to create a quilt based on the Colourbust pattern from By the Block. We agreed it would be a queen-size quilt, so knew that the lap-size pattern would need to be adapted. The two of us had an initial meeting which included fabric sharing and discussions about colour scheme.

My quilt, which I named Singin’ in the Rain ( because it reminds me of a rainbow viewed against a stormy sky), uses 4 1/2 inch strips, and includes a 2 inch border of a bright fabric matching each block. I found a fabulous Northcott wide flannel for the backing.

Mom and I met at Sewing Machines Etc. in Burlington, where we spent the day quilting on longarm machines with the expert help of Jane. We hadn’t seen each other’s quilt top beforehand, so the big reveal was fun. Hers is gorgeous ( and the subject of a future guest blog)!

I have to say Mom’s quilt is much less tame than mine, and she also gained points with her beautiful pieced backing. What I love about my quilt is it’s a great size for the double bed in my teenage son’s room, and it’s extra warm with the flannel backing. It’s a nice bright modern look for a teenager’s bedroom. After this experience I found myself vowing to make a large quilt for my own bedroom, because I just love all the overhang.

It was a lot of fun having a challenge with a deadline, and such a treat working together all day on the quilting. Thanks Mom!

Grey Wolf Baby Quilt

This quilt was done as a commission, which is unusual for me. My client asked for a baby quilt for a boy in shades of grey with a wolf motif.

For my birthday I received a selection of gorgeous grey fabrics that have related feather designs. I’m working on a lap quilt using these fabrics but decided to set some aside for the commissioned project.

I used a hit and miss design for the blocks with 3 inch by 6 inch rectangles arranged randomly. The quilt is 7 blocks by 16 in total. I searched the internet for a one line wolf image to use for some of the blocks, then drew the design freehand on a sheet of paper and transferred it to the quilt top using a temporary light box and a gel pen designed specifically for marking quilts.

I quite enjoyed quilting over the lines to create the 7 wolves; I think they look beautiful.

Also for my birthday I received the book East Meets West Quilts by Patricia Belyea. In the book I read about the concept of “The Unexpected Visitor” (a surprise visitor that makes the party even better than the hostess planned) in quilting. It’s something I have done intuitively in quilt design before, but I tried to incorporate an unexpected visitor consciously this time. Can you find it?

OK, I’d better tell you – it’s the plain very dark grey blocks, there are just four of them, and I really like they way they offset the other coordinated fabrics. I thought of doing something more wild and exciting (lime green is my excitement go-to) ; maybe next time!

I chose a scrappy binding, and a bright one-piece backing with a large-scale grey floral to ensure the quilt is lively as well as having an overall calming effect.

Flying Geese With Rainbow

Once again I was attracted to that stack of fabric chosen for the Colourburst challenge. I wanted to see what a colour array of flying geese would be like against the dark grey background. Initially, I planned to have just the one strip of flying geese and use the dark grey for the rest of the quilt. But when I started putting it together, that seemed too stark for a baby quilt so I added the three long strips of green, blue and purple. For some reason, even though there are orange triangles in the flying geese array, a long orange strip didn’t look nice so I left it out.

The flying geese units are 5 inches by 2 3/4 inches, and the quilt measures 34 by 35 inches. I quilted feathers on the wide grey strips, ocean waves on the coloured strips, and quilted in the ditch for the flying geese.

I am so pleased with the outcome and looking forward to using flying geese again, and also continuing to work with this beautiful set of colours.

Doll Quilt Collection

Last week I was overwhelmed by an insatiable urge to use leftover fabric and scraps to make doll quilts. It’s still going on, I am working on doll quilt number 14 at the moment. There is something very satisfying about seeing the scrap pile dwindle away, while at the same time completing tiny perfect doll quilts. As I work, I can’t help but imagine the tea parties that dolls will be able to have on these quilts, and the lovely beds they will be able to sleep in. This is also an excellent opportunity to practice my free motion quilting on small manageable projects, and overall therapeutic.

Recently, my insatiable sewing urge has expanded into felt dolls, and I am trying to perfect a simple felt doll pattern. The felt is so easy to work with – no fraying, and I am using my stash of novelty fabrics, stripes and polka dots for the doll dresses.

Pinwheel Baby Quilt

I picked up an Animal Quackers fat quarter collection plus a charm pack and couldn’t resist using it right away. The pinwheel design is made from half square triangle blocks arranged at different angles.

I really enjoyed the free motion quilting. I used an orange peel pattern for the pinwheel section, and feathers for the border. The quilting process was surprisingly easy and quick.

To make the half square triangle blocks, I started with 5 inch squares (because that was the size of the squares in the charm pack). I matched up pairs of squares and put them face to face, drew a line with pencil diagonally, sewed a quarter inch on both sides of the line, then cut along the line, producing two HST blocks.

If you look very closely, you may notice my points are not perfect. Unfortunately, that’s because I trimmed up my rows to an even width, and in some cases cut too far into the points.

On the bright side, I think my free motion quilting is beginning to improve. I was able to produce more flowing and beautiful feathers this time.

Next, I am finishing up the second baby quilt from this collection, then plan to make some smaller items for a craft show in November. I also have two new original quilting designs in mind. How did I ever have time for a full-time job?

Foundation Pieced Bunnies

This is the fourth and final baby quilt made from the Beatrix Potter fat quarter collection. You may recall that I challenged myself to use every scrap of the fat quarter collection I purchased.

My inspiration for this design was a beautiful antique quilt that I own that was foundation pieced on feedsack.

I went ahead and used my scraps fairly randomly, piecing them on a light cotton foundation fabric. I don’t love the resulting quilt, I’m sad to say, because I think it is too random. The off-white corner triangles in each block do not do enough to create a cohesive look. However, I have dutifully quilted it with a mix of walking foot and free-motion, and I will just have to chalk this one up to living and learning.